The building consists of a slab-shaped tower, which contains the firm’s offices, atop a much bulkier base, which contains six trading floors, each big enough to house nearly a thousand employees. From most angles, the tower looks rectilinear, except on the west, facing the Hudson River, where it bows out in a long, graceful curve. The firm insisted that the trading floors be as open as possible, so the architects used trusses to reduce the number of columns and pushed the elevators all the way to the north end of the building instead of running them up through the middle. The result is a lobby as large as an airport terminal, and, if you enter at the south end, an airport-like walk to the elevator. The lobby is austere, with plain limestone walls and no flourishes, but, to relieve the tedium of the long walk, Goldman commissioned two impressive abstract murals—an urgent and frenetic composition by Julie Mehretu, on the east side, and a blotchy and colorful one, by Franz Ackermann, on the west. Large windows allow a glimpse of the murals from the street, but this is as much of the building as the public will ever see. Goldman’s culture of secrecy has certainly saved it from offensive, Trump-style ostentation. By the same token, however, the building, unlike New York’s most admired business temples, will never mean much to people who don’t work in it.
and i guess buildings dont entirely mean anything to some however in my case i do marvell at them from time to time…The new headquarters is architecture as a well-tailored suit. From a distance, the building looks utterly unexceptional, but as you get closer your eye picks up signs of quality—the drape, as it were, and the stitching. Cobb’s façade of clear, colorless glass and bands of shiny steel is completely flat, and this two-dimensionality might have been dull were it not for the subtle shift of proportions in the quiet plaid pattern of the steel grid as it ascends. By the time you are close enough to touch this architectural garment, you can tell that a lot of money has been spent.
And so I could only see this as a global trend in contemporary engineering, you got buildings like this in Dubai n’ shit, na mean?